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Ken Walters Group

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Anatoly Seleznev
Anatoly Seleznev

Oblivion 2013 Soundtrack Download Free PATCHED


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oblivion 2013 soundtrack download free



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Well, since I twice saw Oblivion on theaters (2013) yes, two times haha. I really liked the photography and the soundtrack. The message that the film wants to send to the public. And it really hit me hard.


Synopsis: Concert pianist Paul Orlac (Conrad Veidt) loses his hands in a horrible railway accident. His wife Yvonne (Alexandra Sorina) pleads with a surgeon to try and save Orlac's hands. The surgeon decides to try and transplant new hands onto Orlac, but the hands he uses are those of a recently-executed murderer named Vasseur. From that point forward, the pianist is tortured by the presence of a knife he finds at his house, just like that used by Vassuer, and the desire to kill. He believes that along with the murderer's hands, he has also gained the murderer's predisposition to violence. He confronts the surgeon, telling him to remove the hands, but the surgeon tries to convince him that a person's acts are not governed by hands, but by the head and heart.Orlac's new hands are unable to play the piano, and in time he and his wife run out of money. Creditors give them one more day to pay their bills. Yvonne goes to Paul's father for money, but is refused. Orlac himself then goes to see his father, but finds he has been stabbed to death with the same knife like Vasseur's. He starts to think he himself committed the murder, and goes to a café for a drink. There he meets a man who claims he is Vasseur, who tells Orlac the same surgeon who did the hand transplant also transplanted a new head into Vasseur's body. He then tells Orlac he wants money to keep quiet about the murder... Available for free download at Internet Archives.


Reznor also announced that the band was now signed with Columbia Records and would be releasing their full length album, Welcome Oblivion, in early 2013. The band was originally signed with The Null Corporation but in signing to a major label, the free album concept was no longer viable. The album was released on March 5th, 2013 and was followed by a short North American tour, featuring Alessandro Cortini as an additional member.


It is not my intention to hold Pati\u00F1o\u2019s album up against one he didn\u2019t intend to make, so I want once more to quote Anomia in describing the album as: \u201Can attempt to explore humour as a subversive tool that allows Pati\u00F1o to question, through a playful approach, rigid standards and a persistent excess of \u2018seriousness\u2019 in contemporary electronic music.\u201D This attempt, I feel, is an utter failure. There is nothing really very humorous or subversive about this album. It is a rather rote, bloodless bit of filter-noodling which might have might have scraped its way on to a Wire year-end list circa 2001, but which is now almost indistinguishable from the work of any teenager with a cracked FL Studio and the capacity to google free sample packs. In terms of questioning the \u2018seriousness\u2019 of contemporary electronic music, Pati\u00F1o is less successful than, say, Alessandro Bosetti in 2006, Hype Williams in 2009, PC Music in 2013, or 100 gecs in 2019. Perhaps he would do best to leave an art gallery once in a while, and give one of them a listen.[1]


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